The Resistible rise of Arturo Ui, Bertolt Brecht’s darkly comic allegory of authoritarianism is a play that straddles past and present. Written in 1941, it was conceived as a warning; a grotesque gangster-inflected retelling of the rise of Adolf Hitler. It holds out the warning that such a rise is not, in fact, inevitable – it can be resisted.
In a new production, Mark Gatiss steps into the role of Arturo Ui, a character who is at once absurd, ridiculous, sinister, and terrifying. It’s a part that delicately walks the tightrope between satire and menace.
So how does a play rooted in 20th century politics land in Britain today? What does it mean to stage breath in an era saturated with political performance and media spectacle? And can satire still function as a warning rather than just a mirror?
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